Writer and musician




Working at the Faux-Op, on fake collectivism in Silicon Valley (The Baffler, 2021)


Alt Rock by Algorithm, on indie pop “internet muzak” (Frieze, 2020)


How Corporations Try To Be More Human Than Humans, on corporate personhood and brand identity (Current Affairs, 2020)


This is What Insanity Sounds Like, on the curiously self-tortured legacy of post-grunge music (The Baffler, 2019)


Photographing the Roots of Nationalism in American Youth, on photographer Sarah Blesener (Hyperallergic, 2019)


Broken Homes, on mixed media artist Adia Millett (Art in America, 2019)


Binky Listens, on the classical music roots of an Arthur meme (Van Magazine, 2018)


The Evolution of Hocketing, on the origins of this complex musical technique (Red Bull Music Academy Daily, 2018)


Rage and Cringe, on conservative opera memes (Van Magazine, 2017)

Mark LOREM IPSUM